(By default it’s a compact model, but you can pay $30 extra for a keyboard that includes a full numeric keypad. The base-model iMac comes with a basic Magic Keyboard by default, but higher-end models come with a new Magic Keyboard with integrated Touch ID. There are three different keyboards on offer. There’s even a braided color-matched USB-to-Lightning cable to handle pairing and charging of the input devices. There are multiple keyboard options, with white keys and color-matched aluminum frames a new Magic Trackpad with a white top and color-matched aluminum edges-the corners of the trackpad are more rounded and it sits a little lower in order to perfectly match the height and angle of the keyboard and a Magic Mouse that will show you its colorful belly when you flip it over to recharge it. It’s enough to give an Apple logistics expert fits, but that’s just the beginning: There are also many, many, many color-matched accessories. Nobody will mistake the iMac for a laptop, but it can be repositioned on a desk or relocated elsewhere in a house with ease, and that’s a good thing. It may be a piece of furniture, but that doesn’t mean it needs to be anchored in one place. It was incredibly easy to pick up and move the iMac around my house. (Apple says that the iMac can be converted to and from its VESA configuration via AppleCare, in case you buy one configuration and then need to change it.)īut there’s something about the iMac weighing less than 10 pounds, with that weight evenly distributed across the device’s entire volume. It’s easy to tilt the iMac on its stand, and I’m assuming that it’ll shine on a VESA mount. There’s some truth in that, but it’s wrong to discount the importance of a thin, light adjustable iMac. After all, the arguments went, it doesn’t matter how heavy or thick an iMac is if you’re just setting it down once and then staring at the screen the rest of the time. When the iMac began to slim down in the middle of the last decade, there was a lot of criticism about Apple having misplaced priorities. (I’m a Light Mode person myself, and I found the overall effect quite harmonious. It works really well, though I imagine that if you’re someone who prefers using Dark Mode in brightly lit rooms, it will be a pretty dramatic contrast. It’s effectively a gradient, with your peripheral vision noticing the bright color, but that accent fading away until you’re left with whatever is on the display itself. The bezels around the display itself are a neutral gray. Above that is a more muted version of the accent color on the “chin” beneath the display. The bright color is there, visible on the stand. That flat back plane, decorated with an enormous polished glass Apple logo, is a delight to behold.īut when you sit down to work at the iMac, you get a different impression. The iMac’s back, edges, and stand are all brightly colored. I can obviously only speak to the orange model I’ve been using, but I’d imagine it goes for all six of the colorful models: Apple has made some smart choices in an attempt to allow the iMac to display its own personality without it getting in the way of its functionality. And at 9.85 pounds (4.5 kg), it’s more than two pounds lighter than its predecessor despite having a larger screen. There’s no bulbous bulk-hiding bulge at the rear hinge that attaches it to its stand-it feels more like a giant iPad that ran away from home. This iMac is a uniformly flat slab, only 11.5mm thick. Or as I kept saying to myself every time I walked into a room this past week, “I can’t believe they made an orange iMac.” Apple has decided that this iMac will be more than a utilitarian resident of your personal space-at least, unless you choose the silver model, which will fade into the background like every other iMac made in the last couple of decades.īut if you choose one of the six colors-pink, orange, yellow, blue, green, or purple-you will instead get a device that stands out. Our mobile devices come and go, but iMacs are like furniture: They inhabit spaces, more or less permanently. Apple’s new 24-inch iMac is once again a computer that is designed to draw attention. Twenty-three years after the original iMac arrived, and 19 years after its color was banished, the fun is back. While the iPod and, later, the iPhone would dabble with color, the computer that shouted its color to anyone who would listen had become muffled and monochrome.Īpparently these things go in cycles. White and silver became the shades of choice. And for a few years, the original iMac line proudly shouted its bright colors to the world.īut then a mutedness settled upon the iMac. The original Bondi Blue iMac was a computer designed to draw attention, in an era where ugly beige-box PCs were designed to fade into the background as much as possible. Note: This story has not been updated since 2021.
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